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Also, he's trying way to hard to layer on the symbolism. Isn't it enough to just have Jesus handing America the Constitution? Do you really need to label and explain all the background people, too?
Awesome! I had seen the first one before, but not the Jesus one.
Also check the reworded one: "We couldn't have two black people next to each other, that would be a mob"
But seriously, this guy seems radically unhinged for someone who knows his way around a paintbrush.
the "forgotten man" is revisionist history at it's finest. all these corporate shills turning to "help" the guy, but "socialists" like Rossevelt turning away.
IN WHAT FUCKING WORLD??/
That's exactly why you will never understand art at its deepest level.
That sounds like every opera director I've ever worked with...
You've... worked with a lot of opera directors?
2 in a professional context, 3-4 in a semi-pro context and I can't remember how many students off the top of my head. In fairness, one of them was more like "screw your 'deeper meaning' shit, I wanna do steampunk!"