Dr. Strangelove

As you know, the Premier loves surprises. Gentlemen, you can't fight in here! This is the War Room. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb is a 1964 satirical (specifically, a ) film directed by Stanley Kubrick, and co-written with and Peter George. The film was based on the 1958 novel (a.k.a. Two Hours to Doom) by Peter George under the pseudonym Peter Bryant. The plot of Red Alert very closely resembled that of the 1963 novel Fail-Safe by Eugene Burdick and Harvey Wheeler, and resulted in a copyright-infringement lawsuit and an out-of-court settlement. Fail-Safe also went on to a become a less-successful and less-memorable, non-satirical film in 1964, which also resulted in an out-of-court settlement over copyright infringement. Dr. Strangelove is the best black comedy film of all time, at least by some accounts.

The film stars Peter Sellers playing three major roles (the meek President Merkin Muffley; the half-broken man, half-broken machine Dr. Strangelove; and the overly polite British Group Capt. Lionel Mandrake) and features a much-parodied scene of Slim Pickens bull-riding an atomic bomb. It was less well known for being Darth Vader's  James Earl Jones' first movie.

The movie depicts a series of fictional events leading to a World War III scenario involving mutually assured destruction (MAD) between the United States and the Soviet Union. Plot elements involve various Cold War themes, including McCarthyism and the influences of Nazi scientists. There is also a plethora of sexual undertones to the film, such as General Jack D. Ripper's ostensibly fluoride-fueled impotence, Dr. Strangelove's recommendation of a 10:1 female to male ratio for the post-apocalyptic world, the hyper-masculine overcompensation of military men, and the inability of the bomber crew to "perform" (drop the bomb) after much elaborate foreplay (in-flight build-up).

The film's main thrust (so to speak), however, is to mock the nuclear arms race and tensions between the US and the USSR by showing the insanity of predicating one's entire national defense on the idea of the fittingly-acronymed MAD. The characters go from talking about "missile gaps" and "bomber gaps" to claiming vast communist conspiracies at every level of government (they're poisoning our precious bodily fluids!) to, after the guarantee of apocalypse, worrying about a "mineshaft gap" with the Reds. It's either the scariest comedy ever made, or the funniest disaster movie ever made.

Themes
Besides the Cold War and MAD, Dr. Strangelove touches on a number of themes, including the Red Scare, water fluoridation, conspiracy theories as one group, and game theory and a doomsday scenario as a second.

Fluoride is a commie plot
"Ripper: Have you ever seen a commie drink a glass of water? Mandrake: Well, no I… I can't say I have, Jack. Ripper: Vodka. That's what they drink, isn't it? Never water? Mandrake: Well I… I believe that's what they drink, Jack. Yes. Ripper: On no account will a commie ever drink water, and not without good reason. Mandrake: Oh, ah, yes. I don't quite… see what you're getting at, Jack. Ripper: Water. That's what I'm getting at. Water. Mandrake, water is the source of all life. Seven tenths of this Earth's surface is water. Why, you realize that… seventy percent of you is water. Mandrake: Uhhh God… Ripper: And as human beings, you and I need fresh, pure water to replenish our precious bodily fluids. Mandrake: Yes. (chuckles nervously) Ripper: You beginning to understand? Mandrake: Yes. (chuckles. begins laughing/crying quietly) Ripper: Mandrake. Mandrake, have you never wondered why I drink only distilled water, or rain water, and only pure grain alcohol? Mandrake: Well it did occur to me, Jack, yes. Ripper: Have you ever heard of a thing called fluoridation? Fluoridation of water? Mandrake: Ah, yes, I have heard of that, Jack. Yes. Ripper: Well do you know what it is? Mandrake: No. No, I don't know what it is. No. Ripper: Do you realize that fluoridation is the most monstrously conceived and dangerous communist plot we have ever had to face? Mandrake: Jack… Jack, listen, tell me, ah… when did you first become, well, develop this theory? Ripper: Well, I ah, I, I first became aware of it, Mandrake, during the physical act of love. Mandrake: (sighs fearfully) Ripper: Yes, a profound sense of fatigue, a feeling of emptiness followed. Luckily I was able to interpret these feelings correctly: loss of essence. Mandrake: Yes… Ripper: I can assure you it has not recurred, Mandrake. Women… women sense my power, and they seek the life essence. I do not avoid women, Mandrake, but I do deny them my essence." Preceding this exchange, Ripper has directed — without authorization — bomber aircraft to fly to the the Soviet Union and initiate nuclear war. This passage introduces Ripper's conspiracist mindset and his obsession with fluoride, indicating that he only drinks water or grain alcohol (40%-95% alcohol), the latter of which is demonstrably worse than fluoridated water — though nuclear war would of course be worse still by many orders of magnitude. The passage further shows Ripper blaming fluoridation on communism (Red Scare) and blaming it for his presumptive impotence (the correlation does not imply causation fallacy and the phallic-weapon trope). From this exchange, it also becomes clear that the Ripper character, in his obsession with commies and fluoridation, is a satire on the John Birch Society.

"Ripper: Stay with me Mandrake. (Ripper and Mandrake crawl to one side of desk.) Alright, Mandrake, now feed me. Feed me. (Ripper stands and exchanges fire with attacking troops. Enemy fire subsides.) Mandrake: (laughs) Jack, don't you think we'd be better off in some other part of the room, away from all this flying glass? Ripper: Ah, naah. We're OK here. Mandrake, do you realize that in addition to fluoridated water, why, there are studies underway to fluoridate salt, flour, fruit juices, soup, sugar, milk, ice cream? Ice cream, Mandrake. Children's ice cream? Mandrake: Good Lord. Ripper: You know when fluoridation first began? Mandrake No. No, I don't, Jack. No. Ripper: Nineteen hundred and forty six. Nineteen forty-six, Mandrake. How does that coincide with your postwar commie conspiracy, huh? It's incredibly obvious, isn't it? A foreign substance is introduced into our precious bodily fluids without the knowledge of the individual, and certainly without any choice. That's the way your hard core commie works." In this scene, Ripper and Mandrake are attacking US troops under the delusion/misunderstanding that they are foreign invaders. Ripper then calmly continues on about the dangers of fluoride. Despite the imminent threat of nuclear war killing millions, Ripper uses the "think of the children" fallacy against fluoridation.

Since Kubrick was known to have been a perfectionist, it is likely that the date of fluoridation inception was intentionally erroneous; the first city to fluoridate water was actually Grand Rapids Michigan in 1945. Ripper's complaint that "A foreign substance is introduced into our precious bodily fluids without the knowledge of the individual." foreshadows the "personal choice" argument of the anti-vaccination movement.

The game of doom
"Cobalt thorium G" is not a an actual thing, but is apparently a reference a cobalt-spiked nuclear weapon conceived by physicist that would increase the amount of radioactive fallout and potentially could end human and other life on Earth. The "Bland Corporation" is an allusion to the which performed much research on nuclear war strategy and game theory.

Turgidson brings us to the phallic-weapon trope again with "I wish we had one of them doomsday machines," even though it is becoming apparent that bigger/badder is not necessarily better.

In this scene, which in the film is intercut with the previous Ripper-Mandrake scene, one sees the laying out of the game theoretic aspects of nuclear war strategy: the strategic power of nuclear deterrence and the importance of fore-knowledge. If one does not know the deterrent power of the adversary, one may act rashly and cause very bad consequences for both the adversary and oneself.

Racism
The “our precious bodily fluids” line was a satire on eugenicist Madison Grant's concept of "germ-plasm", which was what made Nordic people (the people whom Grant placed in highest regard in his work) supposedly superior.

“Mein Führer! I can walk!”
The film ends by cutting-back to our reality—with a montage of nuclear explosions, captured from historical footage—while the cheerful, hopeful song, "We'll Meet Again" plays. During the Cold War, Vera Lynn’s WWII yarn— "We'll Meet Again"—was included inside bunkers in Britain, as a morale-boosting song, should there have been a nuclear attack …