User:RoninMacbeth/Fairies

Up the airy mountain, Down the rushing glen,

We dare not go a-hunting For fear of little men.

Fairies (or Faeries, if you want to be pretentious/edgy like to spell it like that) are mythological creatures commonly found in European folklore. What we would know as fairies evolved from English folklore with very heavy Celtic, Roman, German, and Scandinavian influences.

Celtic version
There are a variety of Irish legends of the aos sí pronounced aos/ays shee, aos sí meaning "people of (the) fairy mound" with the kinds of faeries' names being derived from sí e.g. sióg pronounced sheeOhg, meaning fairy. Despite the fact that these creatures were reputed to be mischevious, if not actively malevolent, they were called "fair" or "good." To do otherwise was seen as an easy way to arouse their anger. Despite the Catholic Church frequently labeling these beings as fallen angels or even daemons many of the Irish still, to an extent, revered them. Behaviors related to this reverence were known as the Creideamh Sí, or "fairy faith". Such practices included leaving an offering of food such as milk, baked goods, and berries, and continues in the present, usually in the form of avoiding construction near sites considered important to the Fair Folk.

As well as the generic fairy, with ambiguous intent, there were fairies with specific roles, one of the most well known being the Bean Sí meaning "Woman of the fairy mound", rendered in English as Banshee. The banshee takes a variety of appearances ranging from a young maiden to an old hag. She would herald the death of family members with a shrieking wail. Another is the Dulachán or Dullahan also known in Irish as the Gan Ceann pronounced Gone Kyown meaning "without a head", otherwise plagiarized known as the headless horseman. If you see a Dulachán you better hope he is passing through as if he stops someone is due to die. It is said that when the Dulachán stops he mentions the person's name, causing them to drop dead.

Many of these beliefs (or close variations thereof) are shared by the Scots.

Germanic version
You see the elf-king, fahter? He's near! The king of the elves with crown and train! In countries with a traditionally Germanic mythological basis, such as Germany and Scandinavia, the equivalents are known as elves. Even after the Christianization of Northern Europe was completed belief in elves continued parallel to other religious practices, similar to their Celtic counterparts.

Elves were often seen as a source of illness, the "elf-shot" one notable example. Martin Luther, for instance, believed his mother was sick due to the influence of elves, reflecting a continued pagan tradition in a notably devout Christian. Indeed, where elves were once seen (relatively) neutrally, the Christianization of Germany painted them in a more negative light. Again, this is not dissimilar to the Celtic Fair Folk.

Elves (more specifically, their artistic depictions) were a cause of competition during the Romantic period of literature and art, with various nations trying to lay claim to being the true "progenitor" of elves.

While they are mostly relegated to fantasy literature today, there remains some trace of belief in these creatures. Iceland is notable for its greater continuity to Old Norse traditions due to its relative isolation, and belief in elves (or even an unwillingness to express disbelief) continues to this day. A startlingly large proportion of Icelanders, in a study by Professor Terry Gunnell of the University of Iceland, believe that it is at least possible for elves to exist.

Cottingley Fairies
The series of incidents set forth in this little volume represent either the most elaborate hoax ever played upon the public, or else they constitute an event in human history which may in the future appear to have been epoch-making in its character. The first person to examine the series of five photos taken by Elsie Wright and Frances Griffiths outside the family was Edward Gardner, with the help of photography expert Harold Snelling. Gardner notes in a letter to Doyle "... two [other expert photographers] did claim that they could produce the same class of negative by studio work...", but these objections were "were disposed of almost at once" by testimonial of the girls and by Snelling's examination.