File:Artemisia Gentileschi - Judith Beheading Holofernes - WGA8563.jpg
Original file (1,178 × 1,500 pixels, file size: 201 KB, MIME type: image/jpeg)
This file is from Wikimedia Commons and may be used by other projects. The description on its file description page there is shown below.
Summary
Artemisia Gentileschi: Judith Slaying Holofernes | ||||||||||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Artist |
artist QS:P170,Q212657 |
|||||||||||||||||||||||
Title |
Italian: title QS:P1476,it:"Giuditta che decapita Oloferne"
label QS:Lit,"Giuditta che decapita Oloferne"
label QS:Les,"Judit decapitando a Holofernes"
label QS:Lru,"Юдифь, обезглавливающая Олоферна"
label QS:Lde,"Judith enthauptet Holofernes"
label QS:Lfr,"Judith décapitant Holopherne"
label QS:Lca,"Judit i Holofernes"
label QS:Lnl,"Judith onthoofdt Holofernes"
label QS:Len,"Judith Beheading Holofernes"
label QS:Lnap,"Giuditta ca taglia 'a capa 'a Oloferne" |
|||||||||||||||||||||||
Object type | painting | |||||||||||||||||||||||
Genre | religious art | |||||||||||||||||||||||
Description | ||||||||||||||||||||||||
Depicted people | ||||||||||||||||||||||||
Date |
between 1611 and 1612 date QS:P571,+1611-00-00T00:00:00Z/8,P1319,+1611-00-00T00:00:00Z/9,P1326,+1612-00-00T00:00:00Z/9 |
|||||||||||||||||||||||
Medium |
oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
|||||||||||||||||||||||
Dimensions |
height: 158.8 cm (62.5 in); width: 125.5 cm (49.4 in) dimensions QS:P2048,158.8U174728 dimensions QS:P2049,125.5U174728 |
|||||||||||||||||||||||
Collection |
institution QS:P195,Q290549 |
|||||||||||||||||||||||
Accession number |
Q 378 (National Museum of Capodimonte) |
|||||||||||||||||||||||
Notes |
Depicted people: Юдифь and Олоферн (Judith and Holofernes) |
|||||||||||||||||||||||
References |
|
|||||||||||||||||||||||
Source/Photographer |
Web Gallery of Art: Image Info about artwork reference_wga QS:P973,"http://www.wga.hu/html/g/gentiles/artemisi/judit.html" |
|||||||||||||||||||||||
Other versions |
|
Licensing
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
Items portrayed in this file
depicts
image/jpeg
d95cbc20f24c688abd7401885058694507053d6e
205,541 byte
1,500 pixel
1,178 pixel
File history
Click on a date/time to view the file as it appeared at that time.
Date/Time | Thumbnail | Dimensions | User | Comment | |
---|---|---|---|---|---|
current | 21:20, 8 July 2014 | 1,178 × 1,500 (201 KB) | Hohum | WGA has provided a better one at original source link |
Pages using this file
The following page uses this file:
Metadata
This file contains additional information, probably added from the digital camera or scanner used to create or digitize it.
If the file has been modified from its original state, some details may not fully reflect the modified file.
JPEG file comment | GENTILESCHI, Artemisia
(b. 1593, Roma, d. ca. 1653, Napoli) Judith Beheading Holofernes 1611-12 Oil on canvas, 159 x 126 cm Museo Nazionale di Capodimonte, Naples As with much of Artemisia Gentileschi's work, scholars have tried to explain the hair-raising Judith Beheading Holofernes as a personal reaction to her 'date-rape' trial of 1612, but, in truth, her point of departure was far more visual than psychological. Her primary source was undoubtedly Caravaggio's Judith (Galleria Nazionale d'Arte Antica, Rome) from some ten years earlier. The intense violence of the slaying, the lack of decorative details and even Judith's stiff parallel arms are all reliant on Caravaggio. Artemisia probably also knew Adam Elsheimer's Judith Beheading Holofernes (Victoria and Albert Museum, London), which was owned by Rubens. Elsheimer's small copper may have influenced the position of Holofernes' body and legs, although it should be noted that Artemisia's canvas has been cut down on the left and his legs are now missing. Other expressive and compositional elements can be related to the work of her father Orazio, especially his Judith and Her Maidservant (Wadsworth Atheneum, Hartford). The youthful appearance and important co-conspiratorial role given to the maidservant Abra as well as the triangular structure are derived from Orazio's Hartford canvas. Artemisia's Judith has such close affinities with her father's work that a number of scholars have argued for Orazio's authorship. It has been suggested that Artemisia's Judith Beheading Holofernes (Galleria degli Uffizi, Florence) was essentially a fancy-dress copy of her father's earlier work and not an independent rethinking of the Naples composition. X-radiographs of the Naples picture reveal a substantial number of changes, which make it highly unlikely that the picture was a repetition of another composition. Furthermore, the quality of the execution is not high enough to be that of Orazio; nor did Orazio ever seek this level of brutal directness. The simplification of the drapery and lack of decorative embellishment are consistent with other pictures painted during Artemisia's first Roman period. A number of copies show the composition before it was cut down. A small one on touchstone (Quadreria Arcivescovile, Milan) is paired with a version of Orazio's David Contemplating the Head of Goliath (Galleria Spada, Rome). This may imply that both originals were in the same collection and that both were by Orazio, but it could also mean that the patron wanted a 'diptych' by father and daughter. <P> <TABLE ALIGN=LEFT CELLPADDING=5 BORDER=1 WIDTH=320 BGCOLOR="#99CCCC"> <TR VALIGN=MIDDLE><TD><IMG SRC="/support/gif/listen.gif" BORDER=0 VALIGN=MIDDLE> Suggested listening (streaming mp3, 17 minutes):<BR><A HREF="#" onClick="w=window.open ('/music1/17_cent/scarlatti_giuditta.html', 'newWin', 'scrollbars=yes,status=no,dependent=yes,screenX=0,screenY=0,width=350,height=350');w.opener=this;w.focus();return true"><B>Alessandro Scarlatti: La Giuditta, oratorio, Part I (excerpts)</B></A> </TD></TR></TABLE>
Author: GENTILESCHI, Artemisia Title: Judith Beheading Holofernes Time-line: 1601-1650 School: Italian Form: painting Type: religious |
---|