“”None but those who have experienced them can conceive of the enticements of science. In other studies you go as far as others have gone before you, and there is nothing more to know; but in a scientific pursuit there is continual food for discovery and wonder.
|—Mary Shelley, Frankenstein|
A young scientist named Victor Frankenstein wants to harness the power of lightning; influenced by Alessandro Volta, Luigi Galvani, and Benjamin Franklin up, he hopes to use electricity to bring dead things back to life. His unambitious starting plan involves building an eight foot tall human being out of dead body parts; however, the creature is not only eight feet tall, but has yellow eyes and translucent skin[notes 1]. Its appearance freaks out Victor; hurt by this rejection, the monster flees.
Victor's brother is murdered; despite evidence that a domestic servant was guilty, Victor is convinced his monster did it, and is powerless to prevent the servant's hanging. This upsets him; he runs away again to the mountains, where the monster catches up to him. During Victor's absence, the monster has taught himself to read, discovered his appearance was so horrific even he could not stand it, and attempted to befriend a human family, who drove him off for being so freaky. Blaming Victor for dooming him to a lifetime of isolation and rejection, he killed Victor's brother and framed the servant for it.
The monster demands that Victor build him a bride so he might not have to suffer alone, insisting on his right to happiness and promising that they will vanish into the Amazon afterwards; should he refuse, the monster will see to it that the doctor's happiness is as ruined as his own. Victor initially complies, but fearing that he might be creating a race of monsters, destroys the bride[notes 2], not knowing that the monster sees him doing it. The monster confronts Victor over his betrayal, and when Victor refuses to restart his work he threatens that he "will be with him on his wedding night".
The monster murders one of Victor's friends, and Victor is accused of it. Cleared of the charge, Victor returns home to marry, only to have the monster murder his bride. Victor pursues the monster toward the North Pole, and is found by an Arctic expedition, half-frozen and on the brink of death. He tells his story to the expedition's captain, seeing in him the same desire for glory that led Victor to lose everything he held dear and hoping that his fate will serve as a warning. He dies soon afterwards from exposure.
Soon afterwards, the captain discovers the monster grieving over Victor's body. The Captain confronts the monster, only for him to tell him that he knows full well the enormity of his crimes and deeply regrets them. The monster had hoped the doctor's death would bring him peace, but he now realized that what he had done would ensure that the acceptance he sought from humanity was now forever lost to him. Overwhelmed with guilt and having nothing left to live for, the monster informs the captain that he shall kill himself by immolation, lest somebody find his body and be inspired to create another being that would be just as condemned to a lifetime of torment and ostracism. The novel ends as the monster sails away on an ice raft, never to be seen again.
The enduring popularity of this story has led it to become a frequently referenced trope in tales about the alleged hubris or dangerous recklessness of science, or that genetically modifying organisms is somehow an affront to nature, even though Frankenstein's hubris isn't in "playing God" by creating life so much as refusing to take responsibility for the life that he created. Isaac Asimov labelled the irrational fear that science is mucking around with nature, and that the process may be on the brink of going terribly wrong, as "The Frankenstein Complex." Activists refer to genetically modified foodstuffs as "Frankenfood". The tale is used to justify vague beliefs that tampering with genetics, subatomic physics, and other fields of physical science will go unpredictably out of control or lead to the loss of our shared humanity.
Name of the monster
Victor Frankenstein, repulsed by his creation, leaves without giving the monster a name. In fact, no name for the monster appears in the novel, part of whose point is that the monster is an initially sympathetic character, sensitive and literate, shut out from human companionship by being so damn ugly.
Purists therefore take offense when the name "Frankenstein" is applied to the monster. But it makes sense for the monster to bear his father's name, as the monster himself reasons: and in any case, the name is too universal to change at this point. The monster's name is Frankenstein.
- Frankenstein; or, the Modern Prometheus by Mary Shelley; gutenberg.org
- Legacy of Frankenstein: The Monster Is the One in the White Lab Coat, American Scientist. Review of Frankenstein's Footsteps: Science, Genetics and Popular Culture by Jon Turney (Yale, 1998)
- The Frankenstein Complex and Asimov's Three Laws, Lee McCauley
- Translucent skin was, at the time the novel was written, considered a desirable trait. It was his "shrivelled complexion and straight black lips" that were considered hideous.
- Evidently, Victor was smart enough to create fully functioning artificial human beings, but not smart enough to figure out tubal ligations.
- "Frankenstein", in The Merriam-Webster Dictionary of English Usage