Cross-dressing

RuPaul at the 2019 California Hall of Fame Ceremony

RuPaul in drag

It's a social construct Gender

Spectra and binaries

Day of Silence Pink Stinks Misandry Bechdel test Feminist glossary European witch-hunts Littman 2018 ROGD study Parents of ROGD Kids William Dorsey Swann Chromosome Women's Declaration International Transgender v - t - e

Cross-dressing (sometimes referred to as transvestism, although this term is largely considered obsolete and pejorative nowadays) is the preferred term for dressing in a manner generally associated with a gender other than the one that one self-identifies as. People may have various reasons to cross-dress such as sexual excitement and/or relaxation, though some simply cross-dress out of preference or as a form of gender expression such as in the case of the Otokonoko in Japan, or in extraordinary cases either for their own safety (e.g. women cross-dressing as men in battle, case in point Joan of Arc) or as part of a tradition like with the Bacha posh in Afghanistan.

Misconceptions

Relationship with transgender identity

Crossdressing is distinct from being transgender. Persons who identify with a gender that differs from their sex assigned at birth are transgender. Conversely, a cross-dresser dresses up as a gender they don't identify as. If a trans person is presenting as the gender they identify as, they are not cross-dressing. For instance, Filipino trans actor and musician Ice Seguerra–who initially gained fame as a child beauty pageant contestant in Eat Bulaga! during the late 80s–appeared in an April 13, 2024 episode of Bulaga! in female garb despite now identifying as a trans man as a surprise for his long-time co-star Vic Sotto on his birthday; Seguerra often starred as Vic Sotto's on-screen daughter prior to his transition hence the stunt he pulled off, and while he clearly evoked his pre-transition history as a child actress by donning a doll-like outfit, this still counts as cross-dressing as he wore clothes intended for a gender he no longer identifies with.

Still, many self-identified cross-dressers may be trans people whose circumstances do not yet allow them to transition — they may live with family who isn't supportive, or be underage, or they just aren't really in a position to accept the social consequences of transition. It can seem easier in the beginning for a trans person to use the language least likely to lead to negative social consequences, and thus identify as a cross-dresser, considering this more socially acceptable. This does not mean that cross-dressers don't exist, or that all trans people have identified as cross-dressers.

There's an old joke in parts of the trans community that a transvestite is a trans woman minus two years, but in reality, they're different forms of gender expression that happen to overlap sometimes. The overlap between transgender identity and transvestism was even more pronounced historically in Western countries, prior to more distinctive language and community between the two emerging. In Germany for instance, a transgender person was known in the early 20^th century as an "extreme" or "total" transvestite, so the distinction was still observable at times.

Relationship with homosexuality

See the main article on this topic: Homosexuality

As Ed Wood went to great pains to explain in his masterpiece, Glen or Glenda, "transvestites are not homosexuals". They can be, but the two aspects are separate and only tangentially related. Dressing in drag (an exaggerated, campy form of gender performance which is not the same as everyday cross-dressing, where the aim is to "pass" for the other sex) is popular among gay men. There are many drag-themed cult movies that have a following with gay men, and drag balls (events where people are encouraged to come in drag with a contest for the best costume) are common around Pride Week. Nevertheless, a man who dresses in drag is not the same as being transgender. As RuPaul put it: "How many women do you know who wear seven-inch heels, four-foot wigs, and skintight dresses? I don't dress like a woman; I dress like a drag queen!"

Relationship with feminism

See the main article on this topic: Feminism

This is mostly dependent on who you ask. To some people, the idea of gender-specific clothing is not compatible with the ideals of feminism, while to others it is. Undoubtedly, men who cross-dress for the purpose of mocking women are incompatible with the ideals of feminism, but of course most cross-dressers don't cross-dress to mock women. There is also a double standard at work here: while a woman now wearing a pantsuit isn't exactly shunned or frowned on in the modern era, a man who wears a skirt is (at least in the West, and outside Scotland), due to society's disparagement of femininity and femaleness (though Utilikilts made some inroads for a while). Alternatively, cross-dressing may be seen as a method of escape from the current capitalist, patriarchal society in which women live (see: the many female-to-male cross-dressers throughout history and fiction, particularly Shakespeare's Twelfth Night, which features a woman who cross-dresses to rise above her allotted station in life). Women have dressed as men, both in history and in recent times, known as "drag kings" since 1972.

Relationship with psychology and psychiatry

See the main articles on this topic: Psychology and Psychiatry

Historically, cross-dressing (called transvestism as a clinical term) was pathologized by the medical establishment and considered a disorder stemming from Freudian sexual conflicts. Today, cross-dressing is widely considered a harmless form of gender expression by experts in the field, but the diagnosis of "transvestic fetishism" still exists in the DSM-5 even though the mental health profession has mostly moved on from the idea that all cross-dressing is sexual in nature and problematic. The term "transvestite" itself is often considered derogatory for these historical reasons; "cross-dresser" is preferred.

Moral panic

See the main article on this topic: Moral panic

Anti-drag legislation started sweeping the US in 2023, which could be blamed on fundamentalist Christian/GOP legislators' cherry picking from the Bible. Cross-dressing is one of many abominations, including some that fundies regularly violate other abominations (e.g., wearing clothes woven with different fabrics, Deuteronomy 22:11). Deuteronomy 22:5 states:

A woman must not wear men’s clothing, nor a man wear women’s clothing, for the Lord your God detests anyone who does this.

The stated rationale for the Tennessee legislation by its drafter, Jack Johnson, is an insincere appeal to emotion (think of the children). Not knowing what Johnson's actual motivation is, one could assume from the location in the Bible Belt that it is religion-based, forcing his religion to be superior to other groups freedom of speech, which is likely unconstitutional. The GOP has targeted drag shows with proposed legislation in at least 14 states. In his rationale for the anti-drag Arkansas Senate Bill 43 in 2023 that Arkansas State Senator Gary Stubblefield also gave protect-the-children argument, but then overtly referred to his Christian religion but mistakenly cited the wrong Deuteronomy chapter of abominations:

...as a Christian I believe — for example, in Deuteronomy 25 — I believe the Bible when it says if a man dresses like a woman and a woman dresses like a man, it is an abomination to God.

A more sinister motivation might paralleling the 1939 anti-LGBT laws of Nazi Germany (Paragraph 183), which is plausible due to the frequent targeting of Drag Queen Story Hour by fascist Proud Boys and other far-right organizations, starting in 2022.

Think of the children

Many of these anti-drag statutes in the US targeted drag queen story hour events, where drag queens would read stories to children, typically at a public library. Starting around 2015, drag queen story hours are generally charitable and have the goal of promoting reading and diversity. However, homophobes routinely describe these events as salacious and use it to stoke the LGBT grooming conspiracy theory.

Drag in performance dates back as far as there are records of theater (e.g., ancient Greece, India, China and Japan), often simply because women were prohibited from acting. Since drag is primarily a moral panic within the United States so far, we look at the history of drag performance for children here. The first universal film censorship in the United States, the Hays Code, in existence from 1934-1968 had no mention of cross-dressing, so all such films were presumably allowed for children during that time. The Hays code was followed by the MPAA rating system, which introduced an age rating system with "G", "PG" and "PG-13" intended as acceptable for children. Some well-known examples of drag in US film intended to include children in the audience:

• Seven Chances (1927) — starring Buster Keaton with then-famous drag performer Julian Eltinge

  Eltinge appeared in several other films in drag, sometimes in dual roles as male and female characters: The Countess Charming (1917), The Clever Mrs. Carfax (1917), An Adventuress (1920), Madame Behave (1925), The Fascinating Widow (1925)

• Shakespeare's Twelfth Night (1933)
• Bugs Bunny in various Looney Tunes films (1940 and onward)
• Jack Benny in Charley's Aunt (1941)
• This Is the Army (1943)
• Elizabeth Taylor in National Velvet (1944)
• Gloria Swanson in Sunset Boulevard (1950)
• Bob Hope in Casanova's Big Night (1954)
• James Cagney in Man of a Thousand Faces (1957)
• Tony Curtis and Jack Lemmon in Some Like It Hot (1959)
• Thunderball, part of the James Bond series (1965)
• The Producers (1968 and 2005)
• Julie Andrews in Victor/Victoria, MPAA rating PG (1982)
• Dustin Hoffman in Tootsie, MPAA rating PG (1982)
• Barbra Steisand in Yentl, MPAA rating PG (1982)
• Burt Reynolds, Dom DeLouise and Sammy Davis Jr. in Cannonball Run II, MPAA rating PG (1984)
• Paul Reubens in Pee-wee's Big Adventure, MPAA rating PG (1985)
• Divine in Hairspray in 1988 and John Travolta in the 2007 remake, MPAA rating PG.
• Eric Idle and Robbie Coltrane in Nuns on the Run, MPAA rating PG-13 (1990)
• Arnold Schwarzenegger in Junior (1994), MPAA rating PG-13
• Dave Chappelle and others in Robin Hood: Men In Tights, MPAA rating PG-13 (1993)
• Robin Williams in Mrs. Doubtfire, MPAA rating PG-13 (1993)
• Wesley Snipes, Patrick Swayze and John Leguizamo in To Wong Foo, Thanks for Everything! Julie Newmar, MPAA rating PG-13 (1995)
• Whoopi Goldberg in The Associate, MPAA rating PG-13 (1996)
• Martin Lawrence in Big Momma's House, MPAA rating PG-13 (2000)
• The Wayans brothers in White Chicks, MPAA rating PG-13 (2004)
• Tyler Perry in the Madea series of films from 2005-2022, MPAA rating PG-13
• Martin Lawrence in Big Momma's House 2, MPAA rating PG-13 (2006)
• Eddie Murphy in Norbit, MPAA rating PG-13 (2007)

In US broadcast television, Milton Berle ("Uncle Miltie") appeared in drag endlessly on TV starting in 1951 and into the 1970s. Flip Wilson's character "Geraldine Jones" made regular appearances on his Emmy-award winning The Flip Wilson Show (1970-1974). Jamie Farr played his character "Maxwell Klinger" in drag in the M*A*S*H TV series (1972-1983) about Korean War medics. Bob Hope and Jackie Gleason appeared in drag in a 1974 TV special. Tom Hanks in the Bosom Buddies TV series (1980-1982).

Besides the moral panic over letting drag queens hold story hour events at schools in front of children, in some cases cross-dressing children themselves have become the target of derision and blind hate. In 2022 a Scottish boy from Lanarkshire named Theo Easton was hailed as an inspiration in his hometown for defying gender norms through his cross-dressing, preferring to wear girls' pinafores to school after expressing discomfort over his more masculine wardrobe, though he still identifies as a "rough-and-tumble boy" despite his change in clothing preferences. While both his peers and teachers at his school were largely receptive, the Eastons were nonetheless the subject of negative publicity from queerphobic netizens who invoke fire-and-brimstone sermons against them, particularly TikTok users who chastise Theo's mother and telling her that she will 'go to hell' for letting her son dress like a girl.

Other well-known cross-dressers

• Roman Emperor Sextus Varius Avitus Bassianus (c. 204 CE–222)
• Tim Berners-Lee — founder of the World Wide Web.
• David Bowie, or at least his various alter egos.
• Sergey Brin — co-founder of Google.
• Tim Curry and Anthony Head, in separate productions of The Rocky Horror Picture Show
• Amelia Earhart, though her habit of wearing men's underwear in particular was more for practical reasons than any sort of gender expression.
• Gaye Bykers on Acid performing as their alter egos as "Lesbian Dopeheads on Mopeds"
• Rudolph Giuliani — and there are photos to prove it!
• J. Edgar Hoover — "He was wearing a fluffy black dress, very fluffy, with flounces, and lace stockings and high heels, and a black curly wig. He had makeup on, and false eyelashes. It was a very short skirt, and he was sitting there in the living room of the suite with his legs crossed. Roy [Cohn] introduced him to me as ‘Mary’ and he replied, “Good evening,’ brusque, like the first time I’d met him. It was obvious he wasn’t a woman, you could see where he shaved. It was Hoover."
• The Monty Python Lumberjack, and pretty much everyone else in the troupe.
• New York Dolls
• Twiggy Ramirez of the band Marilyn Manson, which is what led to some of the fundie rumors of the 1990s.
• Sisters of Perpetual Indulgence
• Dee Snider, who cross-dressed as part of his band's campy hair metal stage image, and is proud of it.
• Ed Wood, who claimed to have worn women's underwear into combat during World War II, and who also directed and starred in the film Glen or Glenda

See also

• William Dorsey Swann, likely the first performer to use the term "drag" in reference to his cross-dressing performance